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One of the ways I used the EF 8-15mm f/4L Fisheye USM lens to shoot panoramas was to crop out the middle section of the photographs as I did here with a three-shot previsualized bracketed sequence that was processed using Nik Software’s (HDR Efex Pro. Yet, Mary and I found that the best part of shooting the Rebel T3 at night was having the flexibility to shoot what in some places might be called street photography.
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Applying noise reduction software such as Nik Software’s ( Dfine almost but not quite eliminated noisy remnants. I said this about the Rebel T3i: “At ISO 6400 and long exposures there was some noise visible in sky areas, but it was relatively controlled using the default noise reduction settings.” Subjectively, the digital noise found in nighttime images made with the T3 at ISO 6400 is noticeable, which may be attributed to an imaging sensor that’s just a tiny bit smaller than the T3i’s. Next stops on the Rebel T3 tour were Utah and New Mexico, making this camera the most traveled and most extensively tested of any SLR I’ve written about in recent years. Although the 11-18mm lens does not offer the latest Vibration Compensation (VC) features found in newer Tamron lenses, I was easily able to hand hold the Rebel T3 for three-shot bracketed sequences to make several ghost-free HDR shots of the cars assembled for the event. One of the things I wanted to do was try some HDR photography of the cars using my much-loved (but alas now discontinued) Tamron 11-18mm f/4.5-5.6 lens.
Road trips: For this test I headed down to Castle Rock, Colorado, a wonderful town located midway between Denver and Colorado Springs for their annual Cruise In that features all manner of cars from hot rods to high-end imports. This image was shot in answer to a question somebody asked me online: “Can you shoot glamour photographs with an entry-level SLR?” The answer is yes and you can see a video clip with more detail on this subject on my blog (Captured in my new studio using the EF-S 18-55mm f/3.5-5.6 IS II lens (at 33mm) with the Broncolor Senso/Litos lighting kit and an exposure of 1⁄125 sec at f/13 and ISO 100. So there’s no need to choose IS modes, making the lens less challenging for new SLR shooters. The version II in the name indicates that this lens uses new IS algorithms that distinguish between normal photography and when the camera is panned to automatically provide the optimal level of image-shake correction.
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That’s the lens I mostly used to test the camera and it features wide-angle to mid-range zoom flexibility with the advantage of Canon’s optical lens-shift Image Stabilization (IS) system that should yield up to a full four stops of shake correction. The camera will be offered in a kit with Canon’s new EF-S 18-55mm f/3.5-5.6 IS II zoom lens for $599.99, MSRP. The Rebel T3 shoots 1280x720 HD movies-you knew it would have to do that-and features an honest ISO range from 100 to 6400 without any dirty dancing involving so-called “extended” settings. The camera is compatible with SD, SDHC, or the new extended capacity SDXC memory cards that load from the same bottom compartment as the battery, just like many point-and-shoots. Need to shoot action? You can shoot in continuous mode up to 3 fps (frames per second), just slightly slower than the T3i’s 3.7 fps.
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Only a slight tweak with PictoColor’s (iCorrect EditLab Pro 6 was all it took to make the whites white and the blacks black and the camera’s Aperture-Priority mode delivered perfect exposure under these difficult lighting conditions. While not perfect, the EOS Rebel’s Auto White Balance (AWB) setting was almost right on with the mixed lighting conditions at the museum.
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Share images with family and friends or share images using a range of Web services via CANON iMAGE GATEWAY, an online photo service for Canon users (free registration required).This is one of the Indianapolis race cars in the Unser Racing Museum (collection that was photographed at 1⁄80 sec and f/7.1 and ISO 6400. View images on the camera’s memory card on your TV set, by using a media player supporting DLNA* via a wireless LAN. Transfer images between this camera and other Canon cameras with built-in wireless LAN functions.Ĭonnect the camera to a wireless LAN compatible printer supporting PictBridge (Wireless LAN) to print images wirelessly.Ĭonnect the camera to Connect Station (sold separately) via a wireless LAN to save images. "Smartphone" refers to smartphones and tablets.
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Install the dedicated application "Camera Connect" to use these functions. View saved images or operate the camera from a Wi-Fi-enabled smartphone or tablet.
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